Hardcover bindung online dating

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Starr - Gennett "Pre-Ledger" Recording Dates and Locations (1915 - 1922) / Speed Bump: LPs, 45s, and the Slow Demise of the 78 (1939 - 1951) / Black Swan Carusos, and Other Pirate Tales (1898 - 1951) / Recollections of the New Jersey Phonograph Company by Victor Emerson and John Bieling / Russian Interference: Boris Morros and ARA Records (1944 - 1957) / Boston Talking Machine Company and the Little Wonder Phonograph (1910 - 1913) / Princess Records and the Sapphire Record & Talking Machine Company (1910 - 1911) / Forgotten American Record Producers: Earle W.

Jones (1917 - 1955) / The Final Days of Edison Record Production, from the Original Edison Documents (October-December 1929) / Shutting Down the Recording Industry: James Caesar Petrillo and the AFM Recording Ban (1942 - 1944) / 110 Years Ago at the Victor Talking Machine Company (Camden Studio Opening,and November 1907 Catalog) / The Chicago Premium-Scheme Labels Revisited (1904 - 1920) / Oddball Phonograph Patents (1904 - 1907)Please note that copyright protection remains in force for all Mainspring Press publications (whether or not in print), and permission of the publisher is required for reproduction in excess of customary fair-use standards.

Edison cylinders were often remade, sometimes with entirely different artists and accompaniments, but previously published guides list only the initial versions.

This new volume shows all known versions - even indicating those initially supplied to Edison by Walcutt & Leeds - along with listing dates and distinguishing details for each iteration.

contains a substantial amount of data that have never before been compiled in a modern work, printed or online.

These include the factory plating dates for brown-wax pantograph masters and early Gold Moulded masters, which provide valuable clues to the long-lost recording dates - as do the official listing dates, which are also included.covers all recordings (including those from outside sources) that were issued jointly on American Pathe, Perfect, and related client and subsidiary labels, including the American Record Corporation and Cameo groups.

This volume covers USRC's complete 1939-1940 output - its many original recordings as well as its sometimes-controversial reissues of material from Crown, Gennett, Paramount, Edison Bell, Ultraphone, and other labels.

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The primary focus is on the making, marketing, and distribution of race records prior to the late 1940s - exploring the ways in which those activities affected, and were affected by, conditions within the entertainment and recording industries as a whole - viewed within the context of changing social attitudes, economic conditions, and musical tastes.

This fascinating new discography covers some of the scarcest and most collectible RCA and Victor products, compiled on-site from the original company recording and production files in the Sony archives (New York).

Much of the data is published here for the first time and is not attainable from other print or online sources.

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